Bill Murphy
08-10-2003, 03:42 AM
[I let the length of this post get all out hand. Synopsis: I saw BCSK on a big screen today and it ruled, and brought back a lot of memories]
Seen a docu on Paul Newman the other night. Brought back memories of my mom taking me to see BCSK back when it first came out. Never seen it since, and I made a note to rent it.
Lo & behold, I see in the paper that a new 'indy-artsy' movie theatre's opening in SLC this weekend(note: this now gives SLC 3 such theatres w/11 total screens); showing freebies thru Sunday. One of 'em's BCSK.
Head on down. Print's aw scratched tae fvck, but who cares. Added to the 'feel' of it. Wonderful to see it on a big screen w/the full Panovision.
Animal abuse; drinkin', gamblin', & whorin' done joyfully w/no repercussions; no sops to political correctness or diversity; no soundtrack w/10 sec clips on the credits from sh1t bands on the label owned by the same conglomerate as the movie studio(never mind about Raindrops Keep Fallin' On My Head /images/graemlins/shocked.gif); makin' her strip at gunpoint as foreplay(and she likes it! /images/graemlins/blush.gif); MAN, they sure don't make 'em like this anymore.
And I'd forgot all about Strother Martin being in it. Strother Martin, jesus. Sings an ol' trailhand song about "Betty from Pike", "her boyfriend Ike" & "their old yellow dog & one spotted hog". Nothing else like it in cinematic history, 'cept maybe for that Cockadoodledoo thing from Gummo(now there was BCSK for the 90's).
Strother Martin & John Cazale ruled. All them ol' 70's movies ruled. Remember Strother in Hard Times, w/Chuckie Bronson & Jimmy Coburn? Luiz Guzman does a great job today; proud heir to SM & JC.
I guess you can sort of say that Ocean's Eleven, Good Will Hunting, or, yes, Rounders, are the BCSK/Sting "buddy" type films of today, but they just don't seem quite the same. A little forced, little heavy-handed. Like the handout at the theatre said, Jackie Chan & Chris Tucker don't have quite the magic of the Newman-Redford pairing. Can you imagine how badly the Hollywood of today would butcher a remake of BCSK, Taxi Driver, Dog Day Afternoon, or even Death Wish?
I would like to see what Affleck & Damon could do with another decent script; maybe the fat lazy cvnts oughta write another one. Boys undoubtedly have chemistry; they were the only good thing in that Jay & Silent Bob debacle. OOPS, just remembered Dogma; that was good. Alanis as God was the alltime stuntcast. Guess I need to rent Project Greenlight, even though they're not in it much I've heard.
But seriously, that docu on Newman was revelatory, as was seeing PN in a peak performance, up on the big screen. Cruise & Pitt are legitimate mega-stars, can't argue with HFord & Clint's numbers, De Niro & Pacino were beyond magnificent in their heydays(although they're both unwatchable now & and they had zero chemistry together in Heat), & Matt & Ben obviously got something(never mind Gigli), but Newman's the leading man of the century, IMO. To be fair, Cruise more than held his own in Color Of Money.
I've seen a handful of PN movies, but the docu made it clear how much more remains to be seen, and re-seen. Only saw The Verdict when it came out, need to see it again as an old bitter 37 year old. /images/graemlins/laugh.gif Dunno, about the Towering Inferno, tho... /images/graemlins/smirk.gif In the docu, Redford was quite wistful about making another movie with Newman. He said they always have wanted to do another movie together, but haven't seen the right script. Hey, guys, you're both getting up there; what was wrong with Space Cowboys? /images/graemlins/smile.gif
Sorry for rambling on, but I had one final thought while watching the docu. Slap Shot was 20-25 years ahead of it's time. It'd be a 100KK+'er today in the era of Jim Carrey. And Strother Martin was in it, too. /images/graemlins/wink.gif
Seen a docu on Paul Newman the other night. Brought back memories of my mom taking me to see BCSK back when it first came out. Never seen it since, and I made a note to rent it.
Lo & behold, I see in the paper that a new 'indy-artsy' movie theatre's opening in SLC this weekend(note: this now gives SLC 3 such theatres w/11 total screens); showing freebies thru Sunday. One of 'em's BCSK.
Head on down. Print's aw scratched tae fvck, but who cares. Added to the 'feel' of it. Wonderful to see it on a big screen w/the full Panovision.
Animal abuse; drinkin', gamblin', & whorin' done joyfully w/no repercussions; no sops to political correctness or diversity; no soundtrack w/10 sec clips on the credits from sh1t bands on the label owned by the same conglomerate as the movie studio(never mind about Raindrops Keep Fallin' On My Head /images/graemlins/shocked.gif); makin' her strip at gunpoint as foreplay(and she likes it! /images/graemlins/blush.gif); MAN, they sure don't make 'em like this anymore.
And I'd forgot all about Strother Martin being in it. Strother Martin, jesus. Sings an ol' trailhand song about "Betty from Pike", "her boyfriend Ike" & "their old yellow dog & one spotted hog". Nothing else like it in cinematic history, 'cept maybe for that Cockadoodledoo thing from Gummo(now there was BCSK for the 90's).
Strother Martin & John Cazale ruled. All them ol' 70's movies ruled. Remember Strother in Hard Times, w/Chuckie Bronson & Jimmy Coburn? Luiz Guzman does a great job today; proud heir to SM & JC.
I guess you can sort of say that Ocean's Eleven, Good Will Hunting, or, yes, Rounders, are the BCSK/Sting "buddy" type films of today, but they just don't seem quite the same. A little forced, little heavy-handed. Like the handout at the theatre said, Jackie Chan & Chris Tucker don't have quite the magic of the Newman-Redford pairing. Can you imagine how badly the Hollywood of today would butcher a remake of BCSK, Taxi Driver, Dog Day Afternoon, or even Death Wish?
I would like to see what Affleck & Damon could do with another decent script; maybe the fat lazy cvnts oughta write another one. Boys undoubtedly have chemistry; they were the only good thing in that Jay & Silent Bob debacle. OOPS, just remembered Dogma; that was good. Alanis as God was the alltime stuntcast. Guess I need to rent Project Greenlight, even though they're not in it much I've heard.
But seriously, that docu on Newman was revelatory, as was seeing PN in a peak performance, up on the big screen. Cruise & Pitt are legitimate mega-stars, can't argue with HFord & Clint's numbers, De Niro & Pacino were beyond magnificent in their heydays(although they're both unwatchable now & and they had zero chemistry together in Heat), & Matt & Ben obviously got something(never mind Gigli), but Newman's the leading man of the century, IMO. To be fair, Cruise more than held his own in Color Of Money.
I've seen a handful of PN movies, but the docu made it clear how much more remains to be seen, and re-seen. Only saw The Verdict when it came out, need to see it again as an old bitter 37 year old. /images/graemlins/laugh.gif Dunno, about the Towering Inferno, tho... /images/graemlins/smirk.gif In the docu, Redford was quite wistful about making another movie with Newman. He said they always have wanted to do another movie together, but haven't seen the right script. Hey, guys, you're both getting up there; what was wrong with Space Cowboys? /images/graemlins/smile.gif
Sorry for rambling on, but I had one final thought while watching the docu. Slap Shot was 20-25 years ahead of it's time. It'd be a 100KK+'er today in the era of Jim Carrey. And Strother Martin was in it, too. /images/graemlins/wink.gif